The criterion of remastering is to faithfully capture the quality of the original master tapes. Esoteric's flagship D/A converters, model D-01VU, Rubidium master clock generator model G-0Rb and Esoteric Mexcel interconnect cables and power cords were all used for this remastering session. This combination of highly advanced technology greatly contributed to capturing the high quality sound of the original master tapes.
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The criterion of remastering is to faithfully capture the quality of the original master tapes. Esoteric's flagship D/A converters, model D-01VU, Rubidium master clock generator model G-0Rb and Esoteric Mexcel interconnect cables and power cords were all used for this remastering session. This combination of highly advanced technology greatly contributed to capturing the high quality sound of the original master tapes.
"...if you haven't picked up every one of the Blue Note and Nat King Cole reissues from Chad Kassem and company at Acoustic Sounds, you're really missing out!" - David W. Robinson, Positive Feedback, Issue 52
Every single tune on this album from the haunting "Maiden Voyage" to the gentle, swinging "Dolphin Dance" has found its way into the standard jazz repertoire. Herbie Hancock fashioned a modern jazz milestone with extraordinary compositions, interplay and solos.
Originally released in 1965.
Herbie Hancock, piano
Ron Carter, bass
George Coleman, tenor saxophone
Freddie Hubbard, trumpet
Anthony Williams, drums
"(The) intimate approach produced sheer magic. Structures not only speaks of the remarkable chemistry of its participants but also presents a compelling argument for recording with less as opposed to more." – Bill Milkowski
Right from the very first hearing, absolutely
every single jazz critic shared the same opinion - whether trained
musicians or not, true or would-be jazz expert: A Love Supreme is John Coltrane's most important recording. And the rave reviews which appeared in the magazines Downbeat, Jazz Hot, Jazz Podium and Swingjournal
reflected this: critics all over the world, in America, Europe and
Japan recognized that Coltrane's deep religious belief had influenced
both his approach to life and his music-making. It not only enabled him
to express himself with great intensity but also lent him the necessary
inner peace to conceive a work of almost 40 minutes in length and to
lead his quartet along the same path as himself.
Recorded in 1964.
Mastered by Kevin Gray.
Jimmy Garrison, bass
Elvin Jones, drums
McCoy Tyner, piano
John Lee Hooker himself did not know his exact date of birth. If he hadn't died at around the age of 80, this ageless musician would still be easily pulling the next generation to his gigs. Hooker remains a phenomenon, a mysterious figure of black rhythm and blues, a charismatic king who reigns supreme in rock 'n' roll's Hall of Fame. John W. Peters described his music as a synthesis of scorching emotional ardour, unrelenting rhythmic intensity, and original poetry of a highly personal character. Anyone hearing him for the first time may well be startled at the unfiltered passion and power of his music.
Mastered by Kevin Gray.
John Lee Hooker, guitar, vocals
David "Panama" Francis, drums
Joe Galbreath, guitar
Milt Hinton, bass
William Wells, trombone