Clark Terry - Color Changes

Tracklisting Side 1: Blue Waltz (la Valse Bleue)/ Brother Terry/ Flutin’ and Fluglin’/ No Problem Side 2: La Rive Gauche/ Nahstye Blues/ Chat Qui Peche (A Cat That Fishes) Personnel: Clark Terry : trumpet and flugelhorn/ Jimmy Knepper : trombone/ Julius Watkins : French horn/Yusef Lateef : tenor saxophone, flute, English horn, oboe / Seldon Powell : tenor saxophone, flute/ Tommy Flanagan : piano/ Joe Benjamin : bass/ Ed Shaughnessy : drums. Budd Johnson plays piano on “Nahstye Blues”. Supervision by Nat Hentoff Recorded at Nola Penthouse Studios, NYC, November 19th 1960 Recording engineer: Bob d’Orleans Possessor of the happiest sound in jazz, flügelhornist Clark Terry always plays music that is exuberant, swinging, and fun. A brilliant (and very distinctive) soloist, he gained early experience playing trumpet in the viable St. Louis jazz scene of the early '40s (where he was an inspiration for Miles Davis) and, after performing in a Navy band during World War II, he gained a strong reputation playing with the big band of Charlie Barnet (1947-1948), the orchestra and small groups of Count Basie (1948-1951), and particularly with Duke Ellington (1951-1959). Terry, a versatile swing/bop soloist who started specializing on flügelhorn in the mid-'50s, had many features with Ellington (including "Perdido") and started leading his own record dates during that era. He recorded regularly in the 1960s including a classic set with the Oscar Peterson Trio and several dates with the quintet he co-led with valve trombonist Bob Brookmeyer. This is one of flügelhornist Clark Terry's finest albums. Terry had complete control over the music and, rather than have the usual jam session, he utilized an octet and arrangements by Yusef Lateef, Budd Johnson, and Al Cohn. The lineup of musicians lives up to its potential, and the charts make good use of the sounds of these very individual stylists. The material, which consists of originals by Terry, Duke Jordan, Lateef, and Bob Wilber, is both rare and fresh, and the interpretations always swing. Scott Yanow/AMG